Luffa, 1934, 6.5" hight x 7"wide with two handles, nice color and definition
Luffa, 1934, 6.5" hight x 7"wide with two handles, nice color and definition
*Panel, orange nude fan vase, RV ink stamp, this is the 'explicit' version from 1920 before the production change to a more modest interpretation in 1931
*Panel, orange nude fan vase, RV ink stamp, this is the 'explicit' version from 1920 before the production change to a more modest interpretation in 1931
Luffa 1934 jardiniere, 5.25" base, 4.5" high by 6" wide
Luffa 1934 jardiniere, 5.25" base, 4.5" high by 6" wide
Luffa vase, 1934, 6.50" hight with two handles
Luffa vase, 1934, 6.50" hight with two handles
Luffa, 1934 'window box' - 13" long by 8.50" wide, nice color (poor photo)
Luffa, 1934 'window box' - 13" long by 8.50" wide, nice color (poor photo)
Laurel - 1934 persimmon, three black impressed ribs, vertical bowl 7" across, 2.50" high, nice color and definition (poor photo)
Laurel - 1934 persimmon, three black impressed ribs, vertical bowl 7" across, 2.50" high, nice color and definition (poor photo)
Rosevill Pine Cone, 'tan' two handled vase 1934 - 6" high
Rosevill Pine Cone, 'tan' two handled vase 1934 - 6" high
Roseville Pine Cone, 1931, blue/green with handles, 5" high by 7.50" wide, nice colors
Roseville Pine Cone, 1931, blue/green with handles, 5" high by 7.50" wide, nice colors
Roseville 'Matt Green' before 1916, patten 548-4, 4" high bowl
Roseville 'Matt Green' before 1916, patten 548-4, 4" high bowl
Wincraft 1948 apricot 240-T (no ash tray) covered box, in modernized version of dogwood motif, 3.50"
Wincraft 1948 apricot 240-T (no ash tray) covered box, in modernized version of dogwood motif, 3.50"
Lid to Wincraft apricot box in closeup showing beautiful glaze
Lid to Wincraft apricot box in closeup showing beautiful glaze
Roseville Carnelian, 1915, turquoise/grey 7" high - subtle colors
Roseville Carnelian, 1915, turquoise/grey 7" high - subtle colors
Roseville Carnelian, also assuming it is 1915, bowl 2.75" high, green/tan glaze
Roseville Carnelian, also assuming it is 1915, bowl 2.75" high, green/tan glaze
Roseville Dalhrose 1924-28, square vase with two handles - 5" high
Roseville Dalhrose 1924-28, square vase with two handles - 5" high
Roseville Dalhrose 1924-28 - vase with two handles - 6" high
Roseville Dalhrose 1924-28 - vase with two handles - 6" high
Roseville Dahlrose, 1924-28, 4" high pot with two handles
Roseville Dahlrose, 1924-28, 4" high pot with two handles
Roseville Dahlrose 1924-28 - 5.75" high pot with two handles
Roseville Dahlrose 1924-28 - 5.75" high pot with two handles
Roseville Moss, 1930's bowl with two handles 3" high, beautiful color (poor photo), very nice definition
Roseville Moss, 1930's bowl with two handles 3" high, beautiful color (poor photo), very nice definition
Roseville Panel - two blue/green candlesticks 2" high, very mint
Roseville Panel - two blue/green candlesticks 2" high, very mint
Roseville Vintage, footed bowl 2.5" high 1924
Roseville Vintage, footed bowl 2.5" high 1924
Roseville Laurel green vase 667-6, 6" high, 1934
Roseville Laurel green vase 667-6, 6" high, 1934
Roseville Panel, RV ink stamp, green and pink, 6" high
Roseville Panel, RV ink stamp, green and pink, 6" high
Roseville Apple Blossom, 1948, window box, #368-8, 2.5"x10.5"
Roseville Apple Blossom, 1948, window box, #368-8, 2.5"x10.5"
Roseville Russco, 1930's, 8.5" high, green and yellow glaze
Roseville Russco, 1930's, 8.5" high, green and yellow glaze
Roseville Rozane 017, small bud vase (yellow crocus) 4.5" high, 4" wide, 1900's RPGO
Roseville Rozane 017, small bud vase (yellow crocus) 4.5" high, 4" wide, 1900's RPGO
Roseville Vintage 1924, double bud vase C988, 5" high, 8" wide
Roseville Vintage 1924, double bud vase C988, 5" high, 8" wide
Roseville Bushberry 1948 blue with orange berries, 2 handles, #657-4, 4" high
Roseville Bushberry 1948 blue with orange berries, 2 handles, #657-4, 4" high
Roseville Baneda blue, 4" high, smallest piece in line #587-4- poor photo, great colors, glaze, and definition
Roseville Baneda blue, 4" high, smallest piece in line #587-4- poor photo, great colors, glaze, and definition
Roseville Montacello - 1931 vase with two handles, #555-4 in tan, 4" high
Roseville Montacello - 1931 vase with two handles, #555-4 in tan, 4" high
Roseville Baneda #589-6, pink glaze, 6" high
Roseville Baneda #589-6, pink glaze, 6" high
Roseville Utility Ware, decorated with green band, 1920, marked large R ink stamp, 6" high
Roseville Utility Ware, decorated with green band, 1920, marked large R ink stamp, 6" high

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brief history at end


roseville art pottery



Roseville Pottery was incorporated in 1892 after purchasing the J.B. Owens factory which began operating in 1885. Early plants were both in Roseville and Zanesville, Ohio.  Early production was utilitarian wares in both places. At no time did Roseville produce “artwork” in Roseville.  The first art pottery line was made in Zanesville and was called Rozane.  With John Herold’s arrival as art director and designer in 1900, the pottery began making a competing art line for each new product produced by the Weller Pottery Company.  


In 1917 Frank Ferrell was hired as the art director and remained at Roseville until 1954.  He developed the Pine Cone line derived from ideas he had suggested at Weller.  It became the most popular line ever made at Roseville.  In 1918 the new trademark “Roseville U.S.A.” was adopted when Russell T. Young took over as general manager.  In 1931 Russell’s mother became president and the firm name was changed to Roseville Pottery.  The firm continued to make production ware  until 1954 when all the designs and contents were sold.


Frank Ferrell was a highly original designer working at Roseville for 36 years and he designed many lines of pottery. Following the great depression he designed two new lines of pottery each year, one in January and one in July— each containing dozens of different shapes within each new line. His Pine Cone line supported the factory throughout the depression, when the company could survive marketing non-essential artware.  Ferrell’s tenure at Roseville represented the pottery’s finest artistic accomplishments and allowed America’s households to afford and display pottery in their homes, enjoying the many pots created by his imagination offering up shape, color and design in an amazing variety of form.


Sourced from Kovel’s American Art Pottery, Ralph and Terry Kovel, 1993

Collectors’ Compendium of Roseville Pottery, Vol III, Randall B. Monsen, 1997